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John Stuart Mill: A Biography, by Nicholas Capaldi
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Nicholas Capaldi's biography of John Stuart Mill traces the ways in which Mill's many endeavors are related and explores the significance of his contributions to metaphysics, epistemology, ethics, social and political philosophy, the philosophy of religion, and the philosophy of education. Capaldi shows how Mill was groomed for his life by both his father James Mill and Jeremy Bentham, the two most prominent philosophical radicals of the early 19th century. Mill, however, revolted against this education and developed friendships with both Thomas Carlyle and Samuel Taylor Coleridge who introduced him to Romanticism and political conservatism. A special feature of this biography is the attention devoted to Mill's relationship with Harriet Taylor. No one exerted a greater influence than the woman he was eventually to marry. Capaldi reveals just how deep her impact was on Mill's thinking about the emancipation of women. Nicholas Capaldi was until recently the McFarlin Endowed Professor of Philosophy and Research Professor of Law at the University of Tulsa. He is the founder and former Director of Legal Studies. His principal research and teaching interest is in public policy and its intersection with political science, philosophy, law, religion, and economics. He is the author of six books, including The Art of Description (Prometheus, 1987) and How to Win Every Argument (MJF Books, 1999), over fifty articles, and editor of six anthologies. He is a recent recipient of the Templeton Foundation Freedom Project Award.
- Sales Rank: #2142889 in Books
- Brand: Brand: Cambridge University Press
- Published on: 2004-01-12
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x 1.18" w x 5.98" l, 1.73 pounds
- Binding: Hardcover
- 458 pages
- Used Book in Good Condition
From Publishers Weekly
While he is considered to be the greatest English intellectual of the 19th century, Mill (1806–1873) is often reduced to a set of parochial engagements with his "utilitarianism." In this authoritatively comprehensive analysis of Mill’s lifelong explication of the "liberal culture" spawned by the Industrial Revolution, Loyola professor of business ethics Capaldi presents a probing account of the personal, social and environmental influences on Mill and his relationship to major intellectual precursors and contemporaries. Interspersed with a series of close readings of his mostly political essays and reviews, Mill’s life is cast from a diverse quilt of perspectives, including schoolfriends Coleridge and Carlyle, which reveal the pluralistic character Victorian England. From his struggles with his father, James Mill, and the Benthamite Philosophical Radicals that saw him as their progeny, to his relationship with his wife Harriet Taylor (in "the most talked about affair of the 19th Century"), Mill’s immense intellectual influence is situated within the social relationships that provide a revealing depth to his views on education, politics and feminism. Perhaps the most important element of this work is its presentation of Mill’s uniquely organic synthesis of British ratiocination with German Romanticism that represented a nexus of Mill’s educational heritage and his mature encounters with Continental thinkers, such as Kant and Hegel, Comte and Tocqueville. Capaldi’s liberal use of primary texts and vigilant concern for intellectual context reveal Mill’s thought as reflective of the overall Enlightenment turn towards integrating science, logic and metaphysics into politically oriented theories aimed at creating social equality. Capaldi’s sensitivity to intellectual cross-currents breathes new life into Mill, for whom there is no other biography currently in print, and gives an outstanding account of 19th century European social-philosophical thought.
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Review
"A very welcome new intellectual life of Mill, which gives full weight not just to his philosophical and technical writing but also to his status as a public intellectual. The highly readable biography is particularly illuminating about Mill's status within nineteenth-century theories of the place of the creative artist and the imagination, and it gives extended and thoughtful treatment to his intellectual and personal relationship with Harriet Taylor." Kate Flint, Studies in English Literature
"...solidly grounded, briskly argued...a considerable achievement. Nicholas Capaldi is a deft commentator. John Stuart Mill is a good and persuasive book." Alan Ryan
"As a work of biography, it succeeds in forcefully presenting Mill as a theorist concerned above all with defending liberal culture in general, and highlights the absolute centrality of individual autonomy to that defense." Metapsychology Online
"Capaldi has succeeded nicely in bringing together Mill's life and Mill's ideas - his theories and his values - , illuminating both. This study is recommended for anyone with an interest in the man and his thought." Notre Dame Philosophical Reviews
"Mill scholars and students of 19th-century thought and English Romanticism will find this biography engrossing." The New York Sun
"It is solidly grounded, briskly argued, and agreeably free from the sound of grinding axes." New York Review of Books
"Capaldi's intellectual biography passes, with flying colors, the important test for the success of a biography: after reading it, I have both a sense of having learned a great deal and a desire to learn more about the part of history that both influenced and was influenced by John Stuart Mill."
P.A. Woodward, The Review of Metaphysics
From The Washington Post
Writers and publishers make much of the distinction between biographies and intellectual biographies. But for some subjects that distinction does not hold. John Stuart Mill is not only, as Nicholas Capaldi says, "the quintessential Victorian liberal"; he is also the quintessential intellectual. The great merit of this latest biography is that, in spite of its modest subtitle ("A Biography"), it is also truly an intellectual biography, thus doing justice to this remarkable man.
There was drama enough in Mill's life, as there was in the lives of other quintessentially Victorian intellectuals. Thomas Carlyle, Matthew Arnold, Cardinal Newman and Lord Acton all went through riveting personal experiences. And all of them took those experiences not only to heart, as the saying goes, but to mind, causing them to consider, and often reconsider, the largest questions of philosophy, society, politics and religion. The drama of Mill's life -- and of his mind -- revolves around two figures: his father and his wife.
"I was born in London," Mill's Autobiography opens (after a paragraph justifying the writing of an autobiography), "on the 20th of May, 1806, and was the eldest son of James Mill, the author of the History of British India." This introduction was entirely fitting for an autobiography in which the father plays a major part and the mother appears not at all. (The few sentences about her in the original draft, expurgated by his wife, are dismissive, almost contemptuous.) It was his father who was responsible for the young Mill's awesome education: Greek at the age of 3, Plato (in Greek, of course) at 7, Latin (belatedly) at 8 and so on; the list of the books he read as a youth constitutes something like a bibliography of Western civilization. He was also initiated in the methodology and ideology of utilitarianism, and it was this that provoked the "crisis in my mental history," as Mill put it -- the discovery that the rigorously analytic, rationalistic, utilitarian philosophy was destructive of feeling, sentiment and imagination, and that life as he was meant to live it, as a thinker and reformer in the Benthamite mode, was meaningless and heartless.
One of the most dramatic moments in the Autobiography is Mill's description of the "small ray of light" that began to dispel his deep depression. He was reading a memoir by the French philosopher Marmontel when he came upon a passage recounting the death of the father and the boy's realization that he would now take his father's place in the family. Suddenly, Mill says, he was moved to tears, and his "burden grew lighter." It is curious that, even in a pre-Freudian era, Mill could have related this with no apparent perception of what it signified about himself and his father, pleased only with the discovery that he could be moved to tears, that all feeling was not dead in him, that he was not "a stock [sic] or a stone." That epiphany was reinforced in the next few years by his reading of Wordsworth and Coleridge, Carlyle and the St. Simonians. For most biographers, this marks yet another passing stage in Mill's education. For Capaldi, it represents the Romanticism that was to be the essential and enduring character of his life and thought. It was this Romantic element that gave to every subject -- logic and political economy, liberty and utilitarianism, women and representative government -- its distinctive character, and united them all into a coherent whole. And united, moreover, Mill's personal and intellectual life.
If Mill's father monopolized his youth, Harriet Taylor monopolized his mature life -- personally, certainly, and to a remarkable extent, intellectually as well. Mill met her when he was not quite 25 (there is no intimation that he was ever interested in any other woman until then) and she was 23, married and the mother of two sons (a daughter was to be born the following year). Their "affair," if it can be called that (and some of their friends did call it that), started almost immediately and went on for almost two decades while she remained married to her husband.
They did the "honorable thing," according to Capaldi, "at great personal sacrifice," by not sleeping with each other -- and by her not sleeping with her husband. John Taylor conveniently went to his club so that his wife and Mill could dine together, and he remained home while they went to her country home or traveled abroad, sometimes, but not always, chaperoned by her children. After he died in 1849, they waited almost two years (for the sake of propriety) before marrying.
Whether they continued to be celibate is still a matter of debate among biographers. What is not in doubt is that they chose to live a thoroughly reclusive life, alienated from his family and deliberately dissociating themselves from their old friends. It was a brief marriage; Harriet died seven years later, in 1858, and was buried at Avignon, where they happened to be at the time. Mill bought a house overlooking the cemetery and spent part of every year there for the rest of his life. But he also resumed an active personal and public life, rekindling old friendships, serving briefly in Parliament, and writing and publishing voluminously.
There are not many biographers of Mill who take so thoroughly a sympathetic view of Harriet Taylor as Capaldi does, crediting Mill's many effusive tributes to her. In the Autobiography (that she read and approved of in manuscript), he likened her to Shelley, except that in "thought and intellect," Shelley was "but a child" compared with her. She was also, Mill insisted, his own superior in "the highest regions of speculation" as well as in "the smallest practical concerns of daily life." Capaldi also credits Mill's attribution to her of a decisive influence on all of his work, during and after her lifetime. It was to her, Capaldi says, that Mill was indebted for the synthesis of the Enlightenment and Romanticism that Capaldi takes to be the motif of his life and thought.
Capaldi is critical of those commentators (he mentions Friedrich Hayek and myself) who have been less than enchanted with Harriet Taylor and who find her influence upon Mill to have been less than salutary. He is also impatient with those (again, like Hayek and myself) who do not share his view of the unified, consistent, systematic, coherent nature of the whole of Mill's work. The single exception Capaldi allows concerns religion; "Theism," the last of Mill's three essays on religion, published posthumously, was far more tolerant than the earlier ones both of the social utility of religion and of the existence of God, even of the possibility of immortality.
More dramatic are the changes in Mill's views of socialism, as exhibited in successive editions of Political Economy. It is here that Harriet Taylor's influence was most evident, his letters to her showing him adding or deleting one passage after another upon her suggestion so as to present socialism (or communism -- he often used the words interchangeably) in a more favorable light. At one point he protested that he would make the change although he did not agree with her, but would come to do so, he was sure, eventually. At another, he said that the effect of the proposed deletion was to belie the whole of his preceding argument (that socialism was inimical to liberty), in which case there was "nothing to be said against Communism at all -- one would only have to turn round and advocate it," which might be better done in another work. Yet that deletion, too, was made. Almost his last work, published posthumously as Chapters on Socialism, reverted to his earlier objections, on economic as well as liberal grounds.
Capaldi's Mill may not be everyone's Mill. Indeed, the final sentence of the book, "Mill was the greatest of the English Romantics," almost invites dissent. Yet even when one disagrees with his analysis of one or another of Mill's works, one can appreciate its seriousness and thoughtfulness -- the distinction, for example, in On Liberty between "freedom" and "liberty," the former signifying an internal quality of "autonomy," the latter an external lack of constraints. One may also admire his determination to give Mill the status of a major thinker by insisting upon the integrity and unity of his entire body of work -- and, moreover, of his personal life in relation to his work. Yet surely it does not diminish a thinker to recognize that "circumstances," as Burke would say, are, if not everything, surely something -- that changes of opinion and principle are worthy responses to new conditions, events, experiences and, not least, to renewed reflection and reconsideration.
Reviewed by Gertrude Himmelfarb
Copyright 2004, The Washington Post Co. All Rights Reserved.
Most helpful customer reviews
11 of 26 people found the following review helpful.
Capaldi on Mill
By j a haverstick
From the view of philosophy departments, Mill is frequently read as as figure in the line of traditional empiricists stretching from Locke to Russell. In that context, some of his teachings, such as the quality of pleasure and the primacy of social good seem like, well, mistakes. In fact, that's how it was presented to me in school and I'm afraid I may have passed that view on. I always wondered how a guy so smart could be so dumb. By bringing in the French connection (and Mill's intellectual environment in general), Capaldi presents the complete thinker. That's a service. Of course, given their format, no title in this series from Cambridge can be either a full scale biography or a full scale commentary.
20 of 23 people found the following review helpful.
Easily the Best Book on Mill
By Eudaimonia
Contemporary analytic philosophers tend to present a rather skewed view of Mill, ignoring the larger textual and personal context of his work. Capaldi's book goes a long way to correcting these errors.
For instance, Capaldi provides strong reasons to think that Utilitarianism should be read in light of On Liberty, not vice versa, as contemporary textbooks tend to present Mill. In addition, Capaldi provides an in-depth examination of Mill's intellectual growth. He starts with Mill's early education and exposure to the philosophical radicalism of his father and Jeremy Bentham, and describes how Mill spent a large part of his life struggling to keep what he believed was good about their hedonistic utilitarianism while rejecting its inadequacies. Capaldi shows us how the style of education Mill received permanently influences Mill's manner of thinking. Capaldi demonstrates how Mill is essentially a dialectical thinker attempting to synthesize Romantic deontology with its emphasis on autonomous self-development, with empiricist ethical methodology with its emphasis on pleasure and associationist human psychology. At the same time, Capaldi illuminates the precise ways that figures like Carlyle, Hegel, Comte, Coleridge, and of course Harriot Taylor influenced Mill. Capaldi helps us learn how to read Mill, based on who Mill's audience was and the purpose of his various texts. One's view of Utilitarianism, for instance, will be radically changed in light of Capaldi's biography. This text, taken as the definitive statement of Mill's theory by most contemporary philosophers, emerges as a rather restrained attempt to defend a general class of philosophies, will Mill's own beliefs quite hidden under the surface.
The picture of Mill that emerges is that of a powerful mind with continually evolving ideas. For the typical philosopher who has read at most a few of Mill's works, this book is very valuable indeed.
As an aside, by way of illustrating what the reputation of Capaldi's intellectual biography is, let me relate the following. I recently had a paper defending a thesis of Mill's accepted for publication in a major philosophy journal. The reviewer asked me to make some revisions in light of this work. This book is quickly becoming the authoritative source on John Stuart Mill. In comparing Capaldi's work with that of others who have written on Mill, one gets the feeling that Capaldi is the only one taking Mill--and intellectual history--seriously.
As such, I highly recommend that any philosopher interested in ethics or the history of philosophy read this.
2 of 2 people found the following review helpful.
AN "INTELLECTUAL BIOGRAPHY" OF A MAJOR 19TH CENTURY "PUBLIC INTELLECTUAL"
By Steven H Propp
Nicholas Capaldi was formerly a Professor of Philosophy and law at the University of Tulsa. He has also written books such as David Hume: Knowledge Products (Giants of Philosophy) (Library Edition),The Art of Deception: An Introduction to Critical Thinking, Journeys Through Philosophy: A Classical Introduction, etc. [NOTE: page references below refer to 428-page Advanced Bound Galley edition.]
He wrote in the Preface to this 2004 book about Mill (1806-1873), "More than just a writer, Mill was a public figure... In many ways, he was the quintessential Victorian intellectual, bringing his critical faculties to bear on all of the major issues of the day in a manner that was accessible to the average intelligent layperson... In the twentieth century, only Bertrand Russell has come close to achieving the kind of general public recognition accorded to Mill in the nineteenth." (Pg. ix) He explains why an "intellectual biography of Mill is especially useful... [it] helps to make clear all the ways in which his various endeavors are related... the evolution of Mill's thinking is part of the very subject matter of his thought... paradoxically, the very existence of the Autobiography has been an obstacle to writing an intellectual biography... I have taken seriously Mill's claims about Harriet [Taylor] ... in an attempt to see what light they throw on Mill's life and thought." (Pg. x-xiv)
Capaldi notes early on, "Mill did not attend the universities of his day. He was always educated at home and not in any school. From one point of view there was hardly any reason for him to attend school, given what he had mastered intellectually [from his father's teaching]." (Pg. 12-13) He records, "It was in 1830 that Mill commenced what he called the most valuable friendship of his life. He met the woman who was to become his wife, except that at the time she was already married." (Pg. 82) He adds, "Harriet had worked out a compromise and rationalization for what was to become one of the most talked-about affairs of the nineteenth century... she would remain loyal and faithful to John Taylor and thereby avoid scandal. This double loyalty was to be achieved by abjuring sexual contact with both men!" (Pg. 107) He observes, "nowhere does Mill indicate that his systematic thought either originated in or was significantly altered by Harriet... Inspired, he was; guided, he was not." (Pg. 189)
He notes about John Stuart Mill on Liberty, "Mill thought it was his best and most important work." (Pg. 265) After Mill was elected to Parliament in 1865, "Mill's beginning in Parliament was inauspicious. On first seeing him, [Benjamin] Disraeli is alleged to have exclaimed, 'Ah, I see the finishing governess.' ... His first few speeches were not generally well delivered... Mill's estimate... is that he was a spokesman for advanced causes that would otherwise not have had a hearing. There is some truth in that." (Pg. 323-324)
This is an informative "intellectual biography" that will be of considerable interest to anyone interested in knowing more about Mill and particularly his thought.
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