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Signifying Art: Essays on Art after 1960 considers the work of a generation of "respondants" to the New York School, including Robert Rauschenberg, Jasper Johns and Cy Twombly, who reintroduced pictorialism and verbal content in their paintings and assemblages. Their work, Marjorie Welish argues, often alludes to the history of art and culture. Also examined are the works of Minimal and Conceptual artists, particularly Donald Judd and Sol LeWitt, who sought to make objective and theoretical artifacts in response to the subjectivity that Abstract Expressionism had promoted. By interpreting the work of these artists in light of contemporary issues, Welish offers a fresh reevaluation of some of the major trends and production of postwar American painting.
- Sales Rank: #1675802 in Books
- Brand: Brand: Cambridge University Press
- Published on: 1999-09-28
- Released on: 1999-12-09
- Original language: English
- Number of items: 1
- Dimensions: 9.96" h x .71" w x 6.97" l, 1.00 pounds
- Binding: Paperback
- 336 pages
- Used Book in Good Condition
Review
"Welish has done an admirable job....I think any reader of her book will come away with a more sophisticated understanding of issues that have occupied artists since 1960." Craig Adcock, CAA Reviews
individually accented survey of post-War
American art." Burlington Magazine
About the Author
Donald Kuspit is one of America's most distinguished art critics. Winner of the prestigious Frank Jewett Mather Award for Distinction in Art Criticism, given by the College Art Association, he is a Contributing Editor to Artforum, Sculpture, New Art Examiner, and Tema Celeste magazines, as well as Editor of Art Criticism. Professor of Art History and Philosophy at the State University of New York, Stony Brook, he also holds honorary degrees from Davidson College, the San Francisco Institute of Arts, and the University of Illinois at Urbana-Champaign, and he has been the A. D. White Professor at-Large at Cornell University. Dr Kuspit has received fellowships from the Ford Foundation, Fulbright Commission, the National Endowment for the Humanities, and the Guggenheim Foundation. He is the author and editor of hundreds of articles and books, most recently The Rebirth of Painting in the Late 20th Century and Psychostrategies of Avant-Garde Art.
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