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Picturing the Passion in Late Medieval Italy: Narrative Painting, Franciscan Ideologies, and the Levant, by Anne Derbes
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This study examines the narrative paintings of the Passion of Christ created in Italy during the thirteenth century. Demonstrating the radical changes that occurred in the depiction of the Passion cycle during the Duecento, a period that has traditionally been dismissed as artistically stagnant, Anne Derbes analyzes the relationship between these new images and similar renderings found in Byzantine sources. She argues that the Franciscan order, which was active in the Levant by the 1230s, was largely responsible for introducing these images into Italy.
- Sales Rank: #3265741 in Books
- Brand: Brand: Cambridge University Press
- Published on: 1998-02-13
- Original language: English
- Number of items: 1
- Dimensions: 9.96" h x .59" w x 7.99" l, 1.70 pounds
- Binding: Paperback
- 290 pages
- Used Book in Good Condition
Review
"Derbes's very densely written book is highly detailed in its examination of the images..." Choice
"The tight structure of the analysis in the body of the text is supported by extensive endnotes which provide useful and sometines essential background and explanation as well as the sources for her information....this study offers important new insight into the sources and motives behind developements in passion imagery in thirteenth-century Italy, revealing it as a period of artistic vitality previously unrecognized." Sixteenth Century Journal
"In this superb volume on Passion imagery in thirteenth-century Italy, Anne Derbes opens our eyes to the inventive and dynamic power of duecento artists and patrons, conclusively demonstrating how little Vasari and the Renaissance--not to mention modern scholars--understood about a major aspect of thirteenth-century painting. Unlike prior attempts to link Franciscan literature and imagery...Derbes is extraordinarily well read and never forces her argument. Instead, she reveals and respects multiple strands in the historical record, emphasizing what she sees as particularly Franciscan but also exploring the general appeal of this new imagery for worshipers and patrons outside the order. She treats written text and visual imagery as mutually supportive, never assuming that art merely illustrates the written word or that words describe pictures, but that each contributes symbiotically to an era's self-definition." Gary M. Radke, Syracuse University
"Among its strengths, which are many, is the way in which Derbes attempts to relate these changes to larger cultural and religious trends. Recommended highly to art historians and to historians of medieval Christianity." Religious Studies Review
"...has been attractively produced by Cambridge University Press. The open format and well-placed illustrations make this iconographic analysis a pleasant read." Studies in Iconography
About the Author
Anne Derbes is the author of Picturing the Passion Late Medieval Italy: Narrative Painting, Franciscan Ideologies, and the Levant. She has published on medieval art in journals such as The Art Bulletin, Speculum and Gesta.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A fascinating book by an accomplished scholar
By A. J. Morris
Dr. Derbes has a rare gift of insight into this troubled time period, and her flowing, warm writing style makes the images and ideas equally accessible to her readers. A wonderful book for anyone interested in Medieval times or iconography.
0 of 0 people found the following review helpful.
A great book on an important (for academics) subject
By George Hand
Derbes has shown how it was that the artistic revolution of Giotto's time was built on Byzantine foundations revivified by the Franciscans (the standard rap is that Giotto turned away from the Byzantine and, once again, "looked at nature.") For those interested in the "transition" from "medieval" to "renaissance," this is a very important piece of writing and thinking.
2 of 13 people found the following review helpful.
our wonderful professor
By A Customer
reading this book was wonderful, but taking the italian renaissance class with our dear professor, Anne, was even better!!
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